Harvesting as Heroic: Magic and the Natural World in David Mealing’s Ascension Cycle

As we read in K.P.’s post, crops and harvest were inescapable concerns of life in ancient civilizations. Today, unless we’re farmers of some sort, we think about the harvest less, but it’s no less important. However essential it is to human life, it’s not exactly the stuff of heroic sagas. Unless they’re writing about a farming family or community who might be devastated by a bad harvest, authors tend to stay away from this theme. Usually, the closest fantasy comes to mentioning it is by making the protagonist an idealistic farm boy who’s somehow the long-lost son of the king and therefore is “the chosen one.”

soul of the worldAll of that is to explain why this month, I had to get a little creative when it came to keeping with the theme. I’m going to look at Soul of the World, the first book in the Ascension Cycle, an epic fantasy series by David Mealing. The world is inspired by the European settlement of North America. On the coastline are the colonies of Sarresant, including the capital city of New Sarresant, whose culture is reminiscent of France. To the south are the colonies of Gand, reminiscent of England. To the west of the colonies is the Great Barrier, which separates them from tribes indigenous to the land, among them the Sinari, from which one of the protagonist hails.

Crop harvests are certainly of concern to characters in the story. In fact, the New Sarresant colonies are experiencing food shortages, which help foment the growing revolution against the monarch in Sarresant proper. Although this is an important aspect of the world-building, I’m focusing instead on the harvesting of magic. The book deals with multiple systems of magic instead of the standard single system. The main system I want to look at is one wielded by Erris, one of the three main protagonists.


Erris is a binder, which means she has the ability to “bind” different energies found along leylines to either herself or others. Here’s an excerpt from her perspective: “Beneath the camp she saw the familiar network of leylines, a crosshatch of energy pulsing with colors and forms. Three she recognized: the green pods of Life, the red motes of Body, and the inky clouds of Death. All the others were gray haze, indiscernible from one another and useless if she tried to bind them. There were six known leyline energies: Body, Shelter, Life, Death, Mind, and Entropy.” [1] And each binding offers specific gifts. Of the bindings Erris can use, Life enhances her senses and heals wounds, Body enhances her strength and speed, and Death enables her to sever enemy bindings, thus rendering them ineffective. [2] The more energies a binder has access to, the more powerful and sought-after they are.


soul of the world map
Map of the Ascension Cycle world

There are a finite number of energies, and binders can use only what they find in the natural world. There’s no creating bindings, but it is possible to discover them, and that’s part of what the colonies of Sarresant and Gand are fighting over. “Conquest and colonies brought the great powers gold and trade, but more important, discoveries of new bindings. The academics argued larger claims of territory led to a stronger leyline grid, able to retain a broader spectrum of energies and bolster the gifts of those who could tether them. It had proven true, though, even in her lifetime. The Thellan War, five years before, had resulted in a select few of Sarresant’s binders gaining access to Entropy.” [3] Part of Erris’s challenge is that the Gand commander has found a new energy, which Erris refers to as Need or Hope. When Erris realizes she, too, is one of the rare binders who can access it, she has to learn to control it on her own with no one and nothing to guide her.

What I think is interesting about this magic system is exactly why I chose to write about it for this theme. In many fantasy books, the causes and conduits of magic are relatively intangible—incantations, mysterious power only certain people or races can tap into, abilities given by the gods. But here, Mealing uses the natural world to influence this magic system. Body is plentiful where there are mass crowds of people, Entropy is caused by decay and chaos within the natural world, and Life is found near men and beasts. The energies don’t simply exist in nature; they arise from within the environment itself, which means binders like Erris basically harvest what nature offers to them. Only in this case, instead of crops, it’s energy.


In a different storyline concerning a different magic system, we learn that these energies aren’t the only things that can be harvested. A Sinari woman named Llanara gains the companionship of a kaas, a dragon-like animal who has access to magic based on a color system. For lack of a world-specific term (at least in book one), I’m calling it “color magic.” Toward the end of the book, during an attack on a neighboring tribe, she finds out about a new color. When the women of the village retaliate against her attack, Llanara’s kaas, Vekis, subdues them with merely a thought.

“What was that?” [Llanara] whispered to her companion. “What did you do to stop her?”
“Black,” she murmured to herself. A new gift. “It takes away the magic of others?”
“Vekis, I would know more. You harvest it from killing our enemies?”
More silence. A maddening trait. It meant she was close, so close to understanding. [4]

Vekis and the other kaas are reluctant to reveal their secrets, but if Llanara is correct, his black power doesn’t come from nature. Rather, it comes from draining the magic of others. Vekis’s color magic and Erris’s power to bind are similar in their operation—in that the user needs sources of energy to draw upon—and yet vastly different in their targets. In this respect, they form a dichotomy—if not of good and evil, then at least of neutrality and evil. When Erris and other binders draw upon energy within the environment, they’re using the available natural resources, which can replenish over time. When Vekis and other kaas use their power, though, we infer that it’s less than natural and, consequently, negative. Through the use of both, Mealing creates an interesting shorthand for readers and makes it clear that the heroes are ones who ally with the natural world instead of abusing it.

[1] Mealing, David. Soul of the World. Orbit, 2017. Loc. 3089.

[2] Ibid. Loc. 672.

[3] Ibid. Loc. 294.

[4] Ibid. Loc. 6824